Bach Bibliography Search Result

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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Williams, Peter F.	2/4 Time and J. S. Bach.	[p]AMS_Southeast			Mar 1988
	2.	Williams, P. F.	A Bach Course.	MTimes	65	977	Jul 1924	641
	3.	Williams, Gerrard (arr.)	A BACH SUITE FOR STRINGS with optional wind and timpani; movements from the piano suites of J. S. BACH.	OxfordOrchSer		21	1926	36p
	4.	Williams, Peter F.	A chaconne by Georg Böhm: a note on German composers and French styles.	EarlyM	17	1	Feb 1989	43-54
	5.	Williams, Becket (arr.)	Adagio ma non troppo ...				1953	7p
	6.	Williams, Peter F.	Again: Was J.S. Bach an expert on organs?	OrganYb	36		2007	86-105
	7.	Williams, Patrick (arr.)	Air: (better known as the Air on the G string) / J. S. Bach	CramersLibOrgM		35	1950	3p
	8.	Williams, Patrick (arr.)	'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach	CramersLibOrgM		109	1973	8p
	9.	Williamson, John Finley (ed.)	All breathing Life, sing and Praise ye the Lord. Finale from the Motet Sing ye to the Lord.				1931	12p
	10.	Lehmann-Wermser, Andreas	'Allerhand Figuren und Zergliederungen': Carl Philipp Emanuel Bachs Fantasie C-Durim Unterricht erleben.	MBildung	34	4	Oct-Dec 2002	18-25
	11.	Williams, Janet Leslie	An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach.	diss.			1969	169p
	12.	Darmstadt, Gerhart	Andante und Mystik: zur Symbolik des Weges in der Barockmusik; Mystik, Wege zu Johann Sebastian Bach.	Symbolon	12		1995	43-104
	13.	Williams, Simon	A New (Bach?) Organ for St George's, Hanover Square in London.	BachNotesLBS			Spring 2010	[5]
	14.	Williams, Peter F.	A New History of the Organ from the Greeks to the Present Day.				1980	233p
	15.	Thomson, Kemer	An interview with Joel Speerstra.	ClavichordInternat	9	1	May 2005	2-4
	16.	Williams, Peter F.	Another book on JS Bach?	MTimes	157	1934	Spring 2016	5-18
	17.	Hurford, Peter; Williams, Peter F.	Approaches to Bach Performance and Scholarship, then, now, next				Nov-Dec 2000
	18.	Williams, Peter F.	Are we any closer to understanding Bach, the organist and organ-composer?	[ce]IAOMillenniumBook			2000	1-14
	19.	Williams, Gerrard (arr.)	Aria from Suite in D / J.S. Bach				1922	3p + 2 St
	20.	Thomson, Virgil	A shower of gold.	[ce]Thomson			2014	206-207
	21.	Williamson, Barry Scott	A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235).	diss.			1993	107p
	22.	Thomson, Virgil	A touching occasion.	[ce]Thomson			2014	481-482
	23.	Darmstadt, Gerhart	Auf den Spuren des wahren J. S. Bach. Brauchen wir fünf neue quellenkritische Ausgaben der Violoncellosuiten?	NMz(Regensburg)	50		Dec-Jan 2001-02	50-51
	24.	Abdy Williams, Charles Francis	Bach.				1900	xi, 223p
	25.	Williams, Peter	Bach: A Musical Biography.				2016	xiv, 704p
	26.	Rumsey, David	Bach and Numerology: 'Dry Mathematical Stuff'?	LitAesth	7		1997	143-165
	27.	Vaughan Williams, Ralph	Bach and Schumann.	[ce]VaughanWilliamsOnMusic			2008	129-132
	28.	Armstrong, Thomas	Bach and the English Choralist.	MTimes	91	1289	Jul 1950	261-263
	29.	Williams, Peter	Bach and the organ.	MTimes	155	1926	Spring 2014	81-94
	30.	Williams, Peter F.	Bach at Edinburgh.	MTimes	104	1449	Nov 1963	815
	31.	Vaughan Williams, Ralph	Bach cantatas.	[ce]VaughanWilliamsOnMusic			2008	401-402
	32.	Riemsdijk, J. C. M. van	Bach en de Bachvereeniging. Fantasio en Riehl.	Caecilia	28	16	15 Aug 1871	142-143
	33.	Thomson, Virgil	Bach goes to church.	[ce]Thomson			2014	69-70
	34.	Williams, Peter F.	Bach, Handel, Scarlatti Tercentenary Essays.	[ce]BHSTercentenaryEssays			1985	xiv, 363p
	35.	Williams, Christopher	Bach in the Shop Window: Weill's Mahagonny and the Commodification of Musical Style.	[p]AMS_Sanfrancisco			Nov 2011
	36.	Grimsted, Patricia Kennedy	Bach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics.				2003
	37.	Grimsted, Patricia Kennedy	Bach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics.	SpoilsWar		8	May 2003	67-104
	38.	[Page, Anne; Ramsey, Basil]	Bach is best.	ChoirOrgan	4	3	May 1996	15-16
	39.	Ramsey, Basil	Bach Motets at St. James's Piccadilly.	MTimes	98	1375	Sep 1957	499
	40.	Williams, Peter F.	Bach Organ Music.	BBCMGuides	20		1972	71p
	41.	Williams, Gerrard (arr.)	BACH PRELUDE from 'English' Suite No.5	OxfordOrchSer		7	1925	19p
	42.	Williams, Peter F.	Bach Recitatives.	MTimes	115	1579	Sep 1974	747
	43.	Adams, Gwen E.	Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1.	Diapason	76	7:908	Jul 1985	9-11
	44.	Grimsted, Patricia Kennedy	Bach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine.				2000
	45.	Grimsted, Patricia Kennedy	Bach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine.	SpoilsWar		7	Aug 2000	22-35
	46.	Williams, Peter F.	Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto?	EarlyM	12	3	Aug 1984	345-354
	47.	Williams, Peter F.	Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review.	AmerOrganist(2)	20	6	Jun 1986	63-64
	48.	Williams, Peter F.	Bach's Seven Fughette.	MTimes	116	1589	Jul 1975	653, 655, 657
	49.	Vaughan Williams, Ralph	Bach, St. Matthew passion.	[ce]VaughanWilliamsOnMusic			2008	405-406
	50.	Williams, Peter F.	Bach: The Goldberg Variations.	CambridgeMHandb			2001	101p
	51.	Vaughan Williams, Ralph	Bach, the great bourgeois.	MDigest		17	1950	1-6
	52.	Vaughan Williams, Ralph	Bach, the Great Bourgeois.	MBook	7		1952	277-282
	53.	Vaughan Williams, Ralph	Bach, the Great Bourgeois.	Listener			3 Aug 1950	170
	54.	Williams, Peter F.	Bach Thoughts from Edinburgh.	MTimes	106	1472	Oct 1965	771-772
	55.	Blomstedt, Herbert	Balance und Wahrheit in der Musik Bachs. Herbert Blomstedt über die Kantate BWV 140.	ThomanerJ		1	2008	12-14
	56.	Williams, Peter F.	Basso continuo on the Organ.	MLetters	50	1, 2	Jan; Apr 1969	136-152; 230-245
	57.	Thomson, Virgil	Beauty, distinction, mastery.	[ce]Thomson			2014	638-639
	58.	Williams, Patrick (arr.)	Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel]				1958	3p
	59.	Malmström, Bo G.	Blockflöjten hos Bach och Händel.	Musikrevy	40		1985	223-228
	60.	Hohenemser, Richard	Brahms und die Volksmusik.	DieMusik	25	8	May 1933	599-601
	61.	Williams, Gerrard (arr.)	Brandenburg concerto no. 3, 1st movement (condensed) / J.S. Bach				1922	6p + 2 St
	62.	Brahms, Johannes	[Brief an Clara Schumann, Jun 1877]	ReclamUBib	8832		1992	135-136
	63.	Thomson, Virgil	Brilliant and diffuse.	[ce]Thomson			2014	642-643
	64.	Williams, Peter F.	BWV 565: A toccata in D minor for Organ by J.S. Bach?	EarlyM	9	3	Jul 1981	330-337
	65.	Williams, Peter F.	Can editions of Bach or Scarlatti be entirely trusted?	RCOJ		1	2007	18-28
	66.	Brahms, Johannes (arr.)	Chaconne aus der Partita II in d-moll für Viioline von Johann Sebastian Bach	EdBreitkopf	6018		1927	15p
	67.	Brahms, Johannes (arr.)	CHACONNE von J. S. Bach. Für die linke Hand allein bearbeitet.				1879	15p
	68.	Vaughan Williams, Ralph (arr.)	Choral and choral prelude: 'Ach, bleib bei uns, Herr Jesu Christ' = 'Now cheer our hearts this eventide' / J. S. Bach.	[ce]BachBookForCohen		10	1932	25-29
	69.	Brahms, Johannes (ed.)	Choral aus der Kantate Nr. 60 'O Ewigkeit du Donnerwort' / J. S. Bach.	ZsfM	100	5 Beil	May 1935	1-2
	70.	Williams, Patrick (arr.)	Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach.	CramersLibOrgM		37	1951	9p
	71.	Williams, Patrick (ed.)	Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach.	CramersLibOrgM		49	1953	11p
	72.	Williams, Becket (arr.)	Concerto no. 1 for organ (1st movement) / J. S. Bach				1933	3, 3p
	73.	Williams, Peter F.	Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle.	[cr]Metz1994			1996	85-98
	74.	Thomson, Virgil	Costume party.	[ce]Thomson			2014	356-357
	75.	Williams, Peter F.	Decoding Bach 2: Clouds of witness.	MTimes	141	1872	Autumn 2000	13-15
	76.	Thomson, Virgil	Definitive renderings.	[ce]Thomson			2014	359-361
	77.	Darmstadt, Gerhart	Die dritte Violoncello-Suite Johann Sebastian Bachs mit einer hinzugefügten Klavierbegleitung von Robert Schumann. Eine Sendung für den Süddeutschen Rundfunk.	[ce]ProvokationTradition			2000	347-364
	78.	Kühmstedt, Friedrich (ed.)	DIE KUNST DES VORSPIELS oder die Kunst der Entwickelung eines musikalischen Motivs zu einem musikalischen Satzganzen für ORGEL UND PIANOFORTE ; Opus 6.				1842	41p
	79.	Hohenemser, R.	Die Pflege der Bachschen Musik in der Gegenwart.	MlRundschau(München)	3	8f	1907
	80.	Lamsa, Katharina	Die Wunder der Polyphonie: Masaaki Suzuki dirigiert als Gast zur Eröffnung der Bachwoche die Messe h-Moll mit Gächinger Kantorei und Bach-Collegium Stuttgart.	ForumBachAkad		63	Feb-May 2008	9-10
	81.	Adams, Robert Michael	Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute.	diss.			1981
	82.	Williams, W. S. Gwynn (ed.)	Dona nobis pacem = Grant Thou to us Thy peace = Dyro inni heddwch: chorus for SATB from Mass in B minor / Johann Sebastian Bach.				1949	7p
	83.	[Krapp, Edgar]; Adamski-Störmer, Ursula	Edgar Krapp und sein Bach-Marathon in Nürnberg. Der Organist um Gespräch mit Ursula Adamski-Störmer.	MSacra	113	1	1993	31-34
	84.	Mommsen, Katharina	Ein Gedicht Goethes zu Ehren von Johann Sebastian Bach? Pladoyer für seine Echtheit	GoetheJb	113		1996	161-178
	85.	Williams, Peter F.	Encounters with the Chromatic Fourth ... or, More on Figurenlehre.	MTimes	126	1707-1708	May-Jun 1985	276-278; 339-343
	86.	Thomsen, Knut	Erinnerung an Hermann Melchert.	MtblNBG		65	Winter 2009-10	28
	87.	Williams, Becket (arr.)	ERTÖDT' UNS DURCH DEIN' GÜTE! (Humble us by Thy Goodness) from Cantata No. 22. / J. S. BACH.				1930	8, 8p
	88.	Lehmstedt, Mark	'Es steckt dem weiblichen Geschlecht kein Spinngeweb in dem Gehirne' Christiana Mariana von Ziegler.	LeipzigerBl		38	2001	68-69
	89.	Wurmser, Lucien (ed.)	Fantasia II pour piano par Ph. E. Bach.				1900	7p
	90.	Williams, Peter F.	'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction.	[ce]BHSTercentenaryEssays			1985	327-346
	91.	Williams, Peter F.	Figured Bass Accompaniment.				1970	117, 131p
	92.	Williams, Peter F.	Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'?	MTimes	120	1636	Jun 1979	476-479
	93.	Williams, Peter F.	Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued.	MTimes	120	1637	Jul 1979	571-573
	94.	Williams, Peter F.	Figurenlehre from Monteverdi to Wagner. 3: The suspirans.	MTimes	120	1638	Aug 1979	648-650
	95.	Williams, Peter F.	Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'.	MTimes	120	1640	Oct 1979	816-818
	96.	Williams, Patrick (arr.)	Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach.	CramersLibOrgM		65	1955	7p
	97.	Thomson, Beatrice Leslie	Four Musicians. Sketches of Handel, Bach, Haydn, Mozart.				1929	124p
	98.	Williams, Peter	French Elements in Bach.	[cr]McGill1981			1982	13-19
	99.	Williams, Peter F.	French overture conventions in the hands of the young Bach and Handel.	BachStud	1		1989	183-193
	100.	Williams, Peter F.	Frescobaldi's Fiori musicali and Bach.	Recercare	24	1-2	2012
	101.	Williams, Gerrard (arr.)	Fugal Kyrie (pianoforte fugue no.4 of the '48') / Bach				1927	12p
	102.	Williams, Peter F.	Further on Changing Manuals in Works of J. S. Bach.	OrganYb	29		2000	75-90
	103.	Williams, Becket (arr.)	Gigue: (from an Organ Trio) / J. S. Bach				1935	3, 3p
	104.	Thomson, Virgil	Gloomy masterpiece.	[ce]Thomson			2014	676-678
	105.	Thomson, Virgil	Glorious organ-playing.	[ce]Thomson			2014	839-840
	106.	Thomson, Virgil	Good goods.	[ce]Thomson			2014	367-368
	107.	Tergau-Harms, Christine	Gottesdienst zum Selber machen mit Chorälen des Weihnachtsoratoriums.	GemeinsamGottesdGestalten	11		2009	322-330
	108.	Lehms, Georg Christian	Gottgefälliges Kirchen-Opffer.				1711	x, 85p
	109.	Kühmstedt, Friedrich	Gradus ad Parnassum oder Vorschule zu Seb. Bach's Clavier- und Orgelcomposisionen in Praeludien und Fugen durch alle Dur- und Molltonarten für Orgel und Pianoforte: opus 4.				1839-1845	107p
	110.	Helms, Siegmund; Schneider, Reinhard	Große Chorwerke. Werkanalyse in Beispielen.				1994	230p
	111.	Bromse, Peter	Harmonische Analyse als Erkenntnismittel form-inhaltlicher Interpretation.	[fs]Graml70			1991	130-142
	112.	Thomson, Virgil	Harvard fair but no warmer.	[ce]Thomson			2014	238-239
	113.	Williams, Peter F.	Hints for performance in J. S. Bach's 'Clavierübung' prints.	EarlyKeyboardJ	5		1986-87	29-44
	114.	Lehms, Georg Christian	Historische Beschreibung der weltberühmten Universität Leipzig: nebst einigen remarquablen Sachen und erlittenen fatis, wie auch einer völligen Nachricht von ihrem am 4. December des 1709. Jahres solenn celebrirten Dritten Jubel-Feste.				1710	119p
	115.	Williams, Becket (arr.)	HUMBLE US BY THY GOODNESS = Ertödt' uns durch dein' Güte: from Cantata No. 22 / J. S. Bach				1931	3p
	116.	Thomson, Virgil	Hymns of tribulation and rejoicing.	[ce]Thomson			2014	230-231
	117.	Volokolamsk, Metropolitan Hilarion of	In All Music There Is Bach.	TorontoJTheol	36	2	2020	235-239
	118.	Thomson, Virgil	Incomparable Chopin.	[ce]Thomson			2014	341-342
	119.	Samson, J.	Influence de Bach sur l'art choral liturgique contemporain en France.	MLiturg(Paris)		16-17	1950	10-15
	120.	Thomson, Virgil	Intensity and brains.	[ce]Thomson			2014	349-350
	121.	Clarke, J. Williams	Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato.	diss.			1971	85p
	122.	Thomson, Virgil	In the first category.	[ce]Thomson			2014	340-341
	123.	Thomson, Virgil	In the royal style.	[ce]Thomson			2014	426-427
	124.	Thomson, Virgil	In tune, but not with the infinite.	[ce]Thomson			2014	222-223
	125.	Thomson, Virgil	Irresistible.	[ce]Thomson			2014	867-868
	126.	Williamson, John Finley (ed.)	I stand beside the Manger Stall.				1931
	127.	Williams, Peter F.	Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'?	[ce]KeyboardInBaroqueEurope			2003	140-156
	128.	Riemsduk, J. C. M. van	Jean Adam Reinken.	TijdschrVNedMgeschied	2	1	1885	61-91
	129.	Williams, Becket (arr.)	JESU, MEINE FREUDE: Choral Prelude from the Motet, 'Jesu, Joy and Treasure' / J.S. Bach				1932	4p
	130.	Vaughan Williams, Ralph (ed.)	Jesus Took to Him the Twelve.				1921	12p
	131.	Hohenemser, Richard	J. K. F. Fischer als Klavier- und Orgelkomponist.	MhMges	34	9, 10, 11	1902	154-163; 167-176; 183-189
	132.	Helms, Siegmund	Johannes Brahms und Johann Sebastian Bach.	BachJb	57		1971	13-81
	133.	Ziemssen, Ludwig	Johann Sebastian Bach.				1905	133p
	134.	Williams, Peter F.	Johann Sebastian Bach and the Basso Continuo.	BaslerJbHistMpraxis	18		1994	67-86
	135.	Dahms, Walter	Johann Sebastian Bach. Ein Bild seines Lebens.				1924	123p
	136.	Ziemssen, Ludwig	Johann Sebastian Bach: ein Lebensbild für Deutschlands Jugend.				1889	128p
	137.	Darmstadt, Hans	Johann Sebastian Bach - Johannes-Passion, BWV 245. Analysen und Anmerkungen zur Kompositionstechnik: Mit aufführungspraktischen und theologischen Notizen.	DortmundBachF	10		2009	229p
	138.	Darmstadt, Hans	Johann Sebastian Bach: Matthäus-Passion, BWV 244. Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen.	DortmundBachF	12		2015	503p
	139.	Darmstadt, Hans	Johann Sebastian Bach - Messe in H-Moll: BWV 232, Analysen und Anmerkungen zur Kompositionstechnik mit aufführungspraktischen und theologischen Notizen.	DortmundBachF	11		2012	387p
	140.	Helms, Marianne	Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 30. Kantaten zum Michaelisfest. Kritischer Bericht.	NBA	1	30	1974	156p
	141.	Helms, Marianne	Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 5. Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias. Kritischer Bericht.	NBA	1	5	1976	235p
	142.	Platen, Emil; Helms, Marianne	Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 2. Lutherische Messen und einzelne Messensätze. Kritischer Bericht.	NBA	2	2	1982	224p
	143.	Williams, Peter F.	Johann Sebastian Bach's ideal organ.	OrganistsReview	94	2	May 2008	7-13
	144.	Williams, Peter F.	Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke.				1996	441p
	145.	Williams, Peter F.	Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen.				1998	476p
	146.	Williams, Peter F.	Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis.				2000	365p
	147.	Williams, Peter F.	Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert?	Concerto	2	4	Jun 1985	41-48
	148.	Hohenemser, Richard	Joseph Joachim: * 28. Juni 1831 zu Kittsee, † 15. August 1907 in Berlin.	DieMusik	23	9	Jun 1931	641-644
	149.	Williams, Peter F.	J.S. Bach: A Life in Music.				2007	xi, 405p
	150.	Williams, Peter F.	J. S. Bach and English Organ Music.	MLetters	44	2	Apr 1963	140-151
	151.	Williams, Peter F.	J. S. Bach: Ein Leben in der Musik.				2008	575p
	152.	Williams, Peter F.	J. S. Bach: Mass in B minor.	EarlyM	12	1	Feb 1984	137,139,141
	153.	Williams, Peter F.	J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters?	BachJb	68		1982	131-142
	154.	Hawthorne, Walter Williams	J. S. Bach's Inventions and Sinfonias: an Analysis.	diss.			1980	197p
	155.	Williams, Patrick (arr.)	J.S. Bach's organ toccata and fugue in D minor.				1947	19, 19p
	156.	Williams, Peter F.	J. S. Bach's Well-tempered Clavier: A new approach.	EarlyM	11	1, 3	Jan, Jul 1983	46-52; 332-339
	157.	Williams, Peter F.	J.S. Bach y el compás de 2/4.	Quodlibet		5	Jun 1996	3-18
	158.	Williams, Peter F.	J. S. Bach y la distribución entre las manos derecha e izquierda.	Quodlibet		18	Oct 2000	68-84
	159.	Helms, Marianne	Kantaten und Lieder aus Schemellis Gesangbuch.	Bachfest	61	[Duisburg]	1986	112-127
	160.	Helms, Marianne	Kantaten und Oratorien des Bach-Festes.	Bachfest	48	[Nürnberg]	1973	70-75
	161.	Helms, Marianne (ed.)	Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias / Johann Sebastian Bach.	NBA	1	5	1975	xii (6p facs), 253p
	162.	Helms, Marianne (ed.)	Kantaten zum Michaelisfest / Johann Sebastian Bach.	NBA	1	30	1973	xi (5p facs), 169p
	163.	Thomson, Virgil	King of the gypsies.	[ce]Thomson			2014	372-373
	164.	Williams, Becket (arr.)	Kleine Orgel Fuge, G moll: zwei Klaviere vierhändig = Little organ fugue, G minor two pianos, four hands / Bach	HinrichsenEd	65		1939	8p
	165.	Arnold, Jochen; Tergau-Harms, Christine (eds.)	Kleiner Gottesdienst - weiter Raum.	GemeinsamGottesdGestalten	11		2009	403p
	166.	Williams, Peter F. (ed.)	Kunst der Fuge / Johann Sebastian Bach.	EdEulenburg	1391		1986	xlvi, 138p
	167.	Darmstadt, Gerhart	Kurz oder lang? Zur Rezitativbegleitung im 18. Jahrhundert	MKirche	50	3	1980	130-134
	168.	Williams, Peter F.	Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás.	BachTanulmanyok	4		1995	5-41; 25-41
	169.	Williams, Simon	Leipzig: The Cradle of German Acting.	[ce]AstonMagnaAcademy			2009	191-206
	170.	Ramsey, Basil	London Bach Society.	MTimes	99	1386	Aug 1958	442
	171.	Platen, Emil; Helms, Marianne (eds.)	Lutherische Messen und einzelne Messensätze / Johann Sebastian Bach.	NBA	2	2	1978	xi (5 facs), 333p
	172.	Thomson, Virgil	Majestic but inefficient.	[ce]Thomson			2014	424-426
	173.	Finscher, Ludwig; Pelker, Bärbel; Thomsen-Fürst, Rüdiger (eds.)	Mannheim - Ein 'Paradies der Tonkünstler'? Kongressbericht Mannheim 1999.	QuellenStGesMannheimHofkapelle	8		2002	517p
	174.	Thomson, Virgil	Master of distortion and exaggeration.	[ce]Thomson			2014	191-193
	175.	Darmstadt, Hans	Meine Bach-Kantate I: Hans Darmstadt über 'Herr, deine Augen sehen nach dem Glauben' BWV 102.	MKirche	70	1	Jan-Feb 2000	46-47
	176.	Dahms, Walter	Mendelssohn.				1919	202p
	177.	Williams, Isabelle	Metric Complexity in Bach's Cantata No.182.	[p]AMS_NewYorkState			Mar 1986
	178.	Williams, Patrick (arr.)	Minuet in G / J. S. Bach.				1949
	179.	Williams, Patrick (arr.)	Minuet in G / J. S. Bach.				1955	7p
	180.	Williams, Patrick (arr.)	Minuet in G / J. S. Bach.				1951	13p
	181.	Adams, David William	'Modern' Organ Style in Karl Straube's Reger Editions.	diss.			2007	xiv, 222p
	182.	Thomson, Virgil	Modern piano playing.	[ce]Thomson			2014	634-635
	183.	Thomson, Virgil	Money's worth.	[ce]Thomson			2014	336-337
	184.	Williams, Peter F.	More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach?	OrganYb	33		2004	139-143
	185.	Williams, Becket (arr.)	Mortify us by thy grace, from cantata no.22.				c 1930
	186.	Thomson, Virgil	Musical badminton.	[ce]Thomson			2014	355-356
	187.	Williams, Peter F. (ed.)	Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach.	EdEulenburg	1390		1986	xxxviii, 51p
	188.	Thomson, Virgil	Music in Germany.	NYHeraldTribune	4	5	14 Oct 1945
	189.	Williams, Peter F.	Need Organists Pay Attention to Theorists of Rhetoric?	Diapason	73	4:869	Apr 1982	3-4
	190.	Williams, Peter F.	New Bach? [on recently discovered chorales]	MTimes	126	1710	Aug 1985	452
	191.	Thomson, Virgil	New era.	[ce]Thomson			2014	370-371
	192.	Thomson, Virgil	New high.	[ce]Thomson			2014	358-359
	193.	Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)	No 8. Präludium et Fuga [I. in C-dur] pro Organo pleno / J. S. Bach.	SämtOrgComp		21	1850	18-23
	194.	Williams, Peter F.	Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters?	BachJb	72		1986	123-125
	195.	Brahms, Johannes	[Oktaven und Quinten u. a., aus dem Nachlaß. hrsg. v. Heinrich Schenker, Universal Edition, Wien 1944]				1933
	196.	Williams, Peter	On Bach and the Organ.	[p]ABS_Rochester			Sep 2012
	197.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I.	Bach	13	2	Apr 1982	6-16
	198.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II.	Bach	13	3	Jul 1982	12-19
	199.	Darmstadt, Hans	Orpheus-Klage und 'Zerfließe'-Arie: Ikonographische und analytische Anmerkungen zu Strawinskys 'Orpheus'-Ballett.	MKirche	75	2	Mar-Apr 2005	106-113
	200.	Williams, Peter F.	Orugan Kyoku.	[ce]BachJiten			1996	294-298
	201.	Williams, Walter (ed.)	Out of the Depths I Cry to Thee = Aus tiefer Noth schrei' ich zu dir; chorus and choral from Cantata No. 38.				c 1938	18p
	202.	Adams, H. M.	Passion Music Before 1724.	MLetters	7	3	Jul 1926	258-264
	203.	Williamson, John Finley (ed.)	Planets, Stars, and Airs of Space ...				1931
	204.	Williams, Peter F.	Playing and studying Bach: Where next?	BIOSJ	24		2000	80-92
	205.	Williams, Peter F.	Playing the organ works of Bach: Some case studies.				1987	128p
	206.	Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)	Praeludium und Fuge [II. in C-moll] von JOHANN SEBASTIAN BACH.	SämtOrgComp		22	1850	11p
	207.	Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)	PRAELUDIUM UND FUGE [in B-dur] über den Namen: Bach von JOH. SEB. BACH.	SämtOrgComp		31	1851	7p
	208.	Williams, Gerrard (arr.)	Prelude and fugue in G ma. For Organ: PRELUDE / J.S. Bach				1927	7p
	209.	Williams, Gerrard (arr.)	Prelude and fugue in G major. Fugue / J.S. Bach				1927	9p
	210.	Brahms, Johannes (arr.)	Presto nach J. S. Bach, 1. und 2. Bearbeitung: Studien für Pianoforte Nr. 3 & 4.	EdBreitkopf	6019		1928	9p
	211.	Brahms, Johannes (arr.)	PRESTO nach J.S. Bach. Erste Bearbeitung.				1879	5p
	212.	Brahms, Johannes (arr.)	PRESTO nach J.S. Bach. Zweite Bearbeitung.				1879	5p
	213.	Adamson, J. Philip I.	Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971.	diss.			1973	150p
	214.	Simms, Bryan R. (ed.)	Pro mundo-pro domo: The writings of Alban Berg.	[ce]Berg			2014	xiii, 444p
	215.	Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)	Präludium und Fuga [in] F-moll von Joh. Sebastian Bach.	SämtOrgComp		2	c 1849	18-24
	216.	Williams, Peter F.	Public Executions and the Bach Passions.	BachNotesABS		2	Fall 2004	1-4
	217.	Williams, Peter F.	Recent questionable approaches to J. S. Bach.	[fs]Tagliavini70			2001	553-572
	218.	Abdy Williams, Charles Francis	Reminiscences of a Pilgrimage through the Bach Country.	Musician	17	9	Sep 1912	590-591
	219.	Thomson, Virgil	Rhythmic grandeurs.	[ce]Thomson			2014	204-206
	220.	Williams, Briony	Sharing a History: Women Composers of the Berlin Sing-Akademie during the Directorship of Carl Friedrich Zelter.	[p]IS_Memphis			Nov 2003
	221.	Adams, Sarah (ed.)	Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach.	CPEBachCW	3	2	2006	xxiv, 100p
	222.	Williams, Gerrard (arr.)	Sixth Organ Sonata in G.				1923
	223.	Rimsky-Korsakow, Nicolas	Six Variations sur le thème B-A-C-H ; op. 10.				1878	21p
	224.	Darmstadt, Hans	'... soll Erd und Luft entzogen werden'. Untersuchungen zum harmonischen Gerüst dreier Rezitative aus der Matthäus-Passion von Johann Sebastian Bach.	MKirche	62	2	Mar-Apr 1992	79-87
	225.	Williams, Simon	Some Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary).	OrganistsReview	78	3	1992	209-211
	226.	Williams, Peter F.	Some further Thoughts.	DortmundBachF	6		2003	371-388
	227.	Williams, Peter F.	Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti.	[fs]Owen			2005	53-71
	228.	Williams, Peter	Some remarks on organs, organ-playing and the studying of music.	BIOSJ	28		2004	6-25
	229.	Williams, Peter F.	Some Tercentenary Questions for the Performer.	AmerOrganist(2)	19	1	Jan 1985	42-46
	230.	Williams, Peter F.	Some thoughts on Italian elements in certain music of Johann Sebastian Bach.	Recercare	11		1999	185-198
	231.	Brahms, Johannes; Martienssen, Carl Adolf (eds.)	Sonata in F major for two pianos, four hands / W. F. Bach.				1947	20, 20p
	232.	Brahms, Johannes; Martienssen, Carl Adolf (eds.)	Sonate für 2 Klaviere zu 4 Händen (Concerto a duoi cembali concertati) / Wilh. Fr. Bach.	EdPeters	4284		1933	20, 20p
	233.	[Brahms, Johannes] (ed.)	Sonate für zwei Claviere componirt von Wilh. Friedemann Bach.				1864	19p
	234.	Thomson, Virgil	Sound without fury.	[ce]Thomson			2014	347-348
	235.	Williamson, Rosemary	Sterndale Bennett's Lost Piano Concerto Found.	JRMA	119	1	1994	115-129
	236.	Williams, Peter F.	Stop Press: Some questions about JS Bach and his organ music.	MTimes	141	1870	Spring 2000	34-40
	237.	Thomson, Virgil	Strings bowed; strings plucked.	[ce]Thomson			2014	364-365
	238.	Brahms, Johannes; Mayer-Mahr, Moritz (eds.)	Studien für Klavier.	EdSchott	1426		1922	41p
	239.	Williams, Peter F.	Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia.	AmerOrganist(2)	18	2	Feb 1984	38-39
	240.	Williams, Peter F.	Suggestions for Playing the Works of Bach--IX: The Italian music.	AmerOrganist(2)	19	5	May 1985	74-75
	241.	Williams, Peter F.	Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549.	AmerOrganist(2)	19	4	Apr 1985	82-84
	242.	Williams, Peter F.	Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III.	AmerOrganist(2)	19	3	Mar 1985	118-119
	243.	Williams, Peter F.	Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III.	AmerOrganist(2)	19	2	Feb 1985	56-57
	244.	Williams, Peter F.	Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein.	AmerOrganist(2)	18	9	Sep 1984	44-45
	245.	Williams, Peter F.	Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes.	AmerOrganist(2)	19	8	Aug 1985	38-40
	246.	Williams, Peter F.	Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation?	AmerOrganist(2)	19	10	Oct 1985	117-119
	247.	Williams, Peter F.	Suggestions for Playing the Works of Bach--X: The Transcriptions.	AmerOrganist(2)	19	6	Jun 1985	44-46
	248.	Williams, Peter F.	Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach?	AmerOrganist(2)	19	12	Dec 1985	60-62
	249.	Williams, Peter F.	Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales.	AmerOrganist(2)	19	11	Nov 1985	91-93
	250.	Williams, Peter F.	Suggestions for Playing the Works of J. S. Bach--I.	AmerOrganist(2)	17	1	Jan 1983	45-47
	251.	Williams, Peter F.	Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas.	AmerOrganist(2)	17	3	Mar 1983	50-52
	252.	Williams, Peter F.	Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach?	AmerOrganist(2)	17	9	Sep 1983	42-47
	253.	Williams, Peter F.	Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas.	AmerOrganist(2)	19	7	Jul 1985	56-58
	254.	Williams, Peter F.	Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues.	AmerOrganist(2)	19	9	Sep 1985	62-64
	255.	Williams, Peter F.	Sui generis: some fashionable uses to which Bach is put.	MTimes	141	1871	Summer 2000	8, 10, 12-15
	256.	Williams, Becket (arr.)	Suite for two pianos / Bach				c 1937	11, 11p
	257.	Williams, W. S. Gwynn (ed.)	Suscepit Israel = He succoured Israel = Cynhaliodd Israel: trio for S.S.A. from 'Magnificat' / Johann Sebastian Bach.				1959	4p
	258.	Adams, Sarah (ed.)	Symphonies for Baron van Swieten, Wq 182/2-6 [Facsimile]	CPEBachCW	3	Suppl	2015	xii, 95p
	259.	Thomson, Virgil	Technique and taste.	[ce]Thomson			2014	931-932
	260.	Williams, Peter F.	The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences'	[fs]Fisk			1986	267-282
	261.	Bloch, Robert Samson	The Art of the Fugue: A Humanist View.	[p]AMS_PacificSouthwest			Apr 1990
	262.	Samson, Jim (ed.)	The Cambridge companion to Chopin.	[ce]CambridgeCompanion_Chopin			1992	xi, 341p
	263.	Samson, Jim (ed.)	The Cambridge history of nineteenth-century music.	[ce]CambridgeHist19cM			2002	xv, 772p
	264.	Röder, Matthias; Adams, Sarah (eds.)	The century of Bach and Mozart. Perspectives on historiography, composition, theory & performance. Harvard College library exhibitions on the occasion of an conference dedicated to Professor Christoph Wolff; September23 - December 23, 2005.				2005	40p
	265.	Williams, Peter F.	The Chromatic Fourth. During Four Centuries of Music.				1998	272p
	266.	Adams, Howard C.	The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach.	ContributStudMDance	19		1992	5-9
	267.	Umstaedt, Monica Johanna	The Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries.	diss.			1980	177p
	268.	Williams, Peter F.	The European Organ 1450-1850.				1966	336p
	269.	Armstrong, Joe (trans.)	The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach.	Bach	41	1	2010	32-96
	270.	Williams, Peter F.	The French Silbermann.	MTimes	112	1535	Jan 1971	77-78
	271.	Vaughan Williams, Ralph; Foster, Arnold (arr.)	THE 'GIANT' FUGUE / J. S. BACH.	OxfordOrchSer		6	1925	4p
	272.	Williams, Peter F.	The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750.	MQ	54	4	Oct 1968	503-523
	273.	Williams, Peter	The International Organ Competition, Leipzig, July 2000.	OrganistsReview	86	4: 340	Nov 2000	336-337
	274.	MS	The Johann Sebastian Bach Journey. Germany 18-24 April 2004.	Organ	83	328	May-Jul 2004	51-53
	275.	Lambert, Arthur Adams	The keyboard partitas of J. S. Bach: A study of background, text, and interpretation.	diss.			1961	292p
	276.	Thomson, Andrew	The Life and Times of Charles-Marie Widor, 1844-1937.				1987	116p
	277.	Williams, Peter F.	The Life of Bach.				2004	viii,219p
	278.	Williams, Peter F.	The Musical Aims of J. S. Bach's 'Clavierübung III'.	[gs]Dart			1981	259-278
	279.	Williams, Peter F.	The music of J.S. Bach: excerpts from the writings of Peter Williams.	[fs]Williams70			2007	371-381
	280.	Thomson, Virgil	The noble style.	[ce]Thomson			2014	337-338
	281.	Williams, Peter F.; Owen, Barbara	The Organ.				1988	438p
	282.	Williams, Peter F.	The Organ Music of J. S. Bach. III: A Background.		3		1984	309p
	283.	Williams, Peter F.	The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.)				1980	357p
	284.	Williams, Peter F.	The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc).		1		1980	365p
	285.	Williams, Peter F.	The Organ Music of J. S. Bach. Second Edition.				2003	x, 624p
	286.	Williams, Peter F.	The Organs of Saxony.	MTimes	111	1533	Nov 1970	1141-1143
	287.	Williams, Peter J.	The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music.	diss.			1977
	288.	Gingras, Bruno; McAdams, Stephen; Schubert, Peter N.	The performer as analyst: A case study of J.S. Bach's 'dorian' fugue BWV 538.	[cr]Graz2008			2010	305-318
	289.	Abdy Williams, Charles Francis	The Rhythmical Construction of Bach's 'Forty-Eight' Fugues.	ProceedRMA	19		1892-93	73-93
	290.	Williams, Peter F.	The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach.	BaslerJbHistMpraxis		[Sonderband]	1983	230-240
	291.	Williams, Peter F.	The Snares and Delusions of Notation: Bach's Early Organ Works.	[ce]JSBOrganist			1986	274-294
	292.	Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)	Toccata et Fuga [in D-moll von] Joh. Sebastian Bach.	SämtOrgComp		49	c 1850	141-152
	293.	Thomson, Virgil	Too fast for brilliance.	[ce]Thomson			2014	346-347
	294.	Williams, Peter F.	Towards a close reading of Carl Philipp Emanuel Bach.	FestschriftSer	13		1994	143-156
	295.	Thomson, Virgil	Transcriptions.	[ce]Thomson			2014	276-278
	296.	Williams, Becket (arr.)	Trio in C minor [from short organ trio] / J.S. Bach				1933	3, 3p
	297.	Williams, Becket (arr.)	Trio in G (from Sonata for Gamba) / J. S. Bach				1935	5, 5p
	298.	Williams, Peter	Tuning and Temperament.				2007
	299.	Williams, Peter F.	Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time.	EarlyM	21	4	Nov 1993	613-622
	300.	Williams, Peter F.	Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution.	EarlyM	22	1	Feb 1994	101-113
	301.	Williams, Peter	Two new editions of Bach's organ music: some questions arising.	OrganYb	41		2012	183-212

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